Gallery

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WOOD WORKS

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COPPERWORKS

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INK WORKS

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drywall

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scultpure

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archive

 

Jill Hotchkiss embeds growth patterns Found recurring in nature into Elemental substrates by emulating geological processes such as wind, rain, gravity, and erosion.

 
New piece! 💫 Rendition of fern, dandelion at a smaller size 22x30in. Which is one of my standard sizes. The other is 30x44in. This allows for the handmade deckled edge of the cotton rag paper to be seen when floated in frame. She’ll be off to
#wildflowers #detail #metaldrawing #goldleaf #worksonpaper #allium #foxglove #echinacea #lavender #buttercups #roots #botanicalstudies #scroll #14feet
Testing phase. #metaldrawings #wip #inkwash #gold #worksonpaper
“Meet Jill Hotchkiss | Visual Artist”: Thankful for the recent feature in Shotout Miami! The interview provided the opportunity to delve into my background a bit. If you’d like to learn a little more about me, feel free to visit the
@luxemagazine Thank you @momcintosh19 for your wonderful wordsmithing! In case you feel like reading some beautiful writing or learning more about my practice, part of the excerpt is below! “...lightning...waterways...tree roots ...electric
Mock up for a client/ possible home!Which do you prefer- first or second (swipe right👉)? Taking a poll. Please lmk. 🤞 Preserved Botanicals Gold on paper 14ft x 4ft . #contemporaryart #scrolls #botanical #preservation #worksonpaper #luxuryinteriors
Currently on view @cornellartmuseum and thank you @juliarosephotog for the great 📸 Rooted Botanicals Ink on yuppo scroll 6 x 20 feet . . #contemporaryart #museum #exhibition #ilovethismuseum #scrolls #preservedbotanicals #roots
Quotes

Automatic intrigue... Cellular neurons, cosmic micro and macroscopic biology... Complete unto itself...

- Ken Johnson, NY Times
Live Critical Review, 2012

Most intriguing is the art gallery, which features an eight-panel relief by Brooklyn-based artist Jill Hotchkiss...

- Architectural Digest
'Las Vegas's Nobu Hotel Opens an Impressive New Villa', 2014

Looking from above, as maps, I get lost in the lines of the drawing...

- Vito Acconci
Critical Review, 2012